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SYSTEM CONFIGURATION 21

Some digital video input sources, such as a cable
box or HDTV set-top may change between ana-
log and digital outputs, depending on which
channel is in use. The AVR’s Auto Polling feature
allows you to avoid losing the audio feed when
this happens by permitting both analog and digi-
tal connections to the same source on the AVR.
Digital audio is the default, and the unit will
automatically switch to the analog audio if the
digital audio stream stops.

In cases where only a digital source is used, you
may wish to disable the Auto Polling feature to
prevent the AVR from trying to “find” an analog
source when the digital source is paused. To turn
Auto Polling off for any input, first make certain
that the 

➞

cursor is pointing to the 

AUTO

POLL

line on the menu screen. Next, press the

‹

/

›

E so that 

OFF

is highlighted in reverse video. Repeat the proce-
dure at any time by highlighting 

O N

to restore

the Auto Polling feature.

When 

DMP has been selected as the

source input, an additional line will appear in this
menu that lets you select whether you wish to
allow your iPod to continue charging while
docked in 

when the AVR 340 is turned

off and placed in Standby mode. To make your
selection, press the 

⁄

/

¤

D until the

➞

cursor is next to the line reading

RECHARGE I N ST-BY

. Press the 

‹

/

›

E until the word 

YES

appears if

you wish charging to continue, and the blue
lighting on The Bridge will remain lit when the
AVR 340 is in Standby mode to indicate that
charging is taking place. The default setting is

N O

, in which the docked iPod will not continue

to charge when the AVR 340 is turned off, even
though 

remains connected to the AVR.

When all needed adjustments have been made,
press the 

¤

D until the 

➞

cursor is

next to 

BACK T O MASTER MENU

to con-

tinue with the system configuration.

Audio Setup
This menu allows you to configure the tone con-
trols and to turn the upsampling on or off. If you
do not wish to change any of those settings at
this time, proceed to the next menu screen.
However, to make configuration changes to those
parameters, make certain that the 

MASTER

MENU

is on the screen with the 

➞ cursor point-

ing to the 

AUDIO SETUP

line, and press the

F. The 

AUDIO SETUP

menu

(Figure 3) will appear.

The first line controls whether or not the bass/tre-
ble tone controls are in the signal path. The nor-
mal default is for them to be in-line, but if you
wish to remove them from the circuit for “flat”
response, first make certain that the 

➞ cursor is

pointing to the TONE line on the menu and press
the 

‹

/

›

E so that 

OUT

is highlighted in reverse video.

If you wish to leave the tone controls in the sig-
nal path, the amount off boost or cut for bass
and treble may be adjusted by pressing the 

⁄

/

¤

E so that the ➞ cursor is

next to the line for the setting you wish to adjust.
Next, press the 

‹

/

›

E

until the desired setting is shown.

Surround Setup
The next step for that input is to set the surround
mode you wish to use with that input. Since sur-
round modes are a matter of personal taste, feel
free to select any mode you wish – you may
change it later. The Surround Mode chart on page
30 may help you select the mode best suited to
the input source selected. For example you may
select Dolby Pro Logic II or Logic 7 for most ana-
log inputs and Dolby Digital for inputs connected
to digital sources. In the case of inputs such as a
CD Player, Tape Deck or Tuner, you may wish to
set the mode to Stereo, if that is your preferred
listening mode for standard stereo sources, where
it is unlikely that surround encoded material will
be used. Alternatively, the 5 Channel Stereo or
Logic 7 Music mode may also be a good choice
for stereo-only source material.

It is easiest to complete the surround setup using
the full-OSD on-screen menus. From the

MASTER

menu (Figure 1), press the 

⁄

/

¤

D until the 

➞

cursor is next to the

SURROUND SELECT

menu. Press the 

F so that the 

SURROUND

SELECT

menu (Figure 4) is on the screen.

Each of the option lines on this menu (Figure 4)
selects the surround mode category, and within
each of those categories there will be a choice of
the specific mode options. The choice of modes
will vary according to the speaker configuration
in your system.

When the 

SURR BACK

line of the

SPEAKER SETUP

menu (Figure 11) is set to

NONE

the AVR will be configured for 

5.1-channel operation, and only the modes
appropriate to a five-speaker system will appear.

When the 

SURR BACK

line of the 

SPEAK-

E R SETUP

menu (Figure 11) is set to

SMALL

or 

LARGE

the AVR will be configured

for 6.1/7.1-channel operation, and additional
modes such as Dolby Digital EX and 7 STEREO or
Logic 7 7.1 will appear. In addition, the modes
DTS ES (Discrete) and DTS+NEO:6 (DTS ES
Matrix) available in the AVR 340 will not appear
unless a digital source is playing the correct bit-
stream.

In addition, some of the modes available in the
AVR will not appear unless a digital source is
selected and is playing the correct bitstream.

Remember that when you use only a single, sur-
round back speaker, you will get the benefits of a
6.1/7.1 system, but with only one speaker
installed at the back of the room. The mode indi-
cations will show 7.1 in some cases, but no addi-
tional adjustment is needed for 6.1 operation.
Remember that the AVR will combine the left and
right surround back channel information present
in 7.1 modes such as Logic 7/7.1 and 7-channel
stereo, outputting the information as a single sur-
round back channel.

Note: When a Dolby Digital or DTS source is
selected and playing, the AVR will select the
appropriate surround mode automatically, no
matter which surround mode was selected for
that input as default. Then no other surround
modes will be available, except VMAx with Dolby
Digital recordings and all Pro Logic II modes with
Dolby Digital 2 channel (2.0) recordings (see
page 37).

*   S U R R O U N D   S E L E C T   *

D O L B Y   S U R R O U N D
D T S
L O G I C   7
D S P ( S U R R )
V M A x
S T E R E O

B A C K   T O   M A S T E R   M E N U

    *   A U D I O   S E T U P   *    

  T O N E               : I N
  B A S S               : 0
  T R E B L E           : 0

  B A C K   T O   M A S T E R   M E N U

22 SYSTEM CONFIGURATION

To select the mode that will be used as the initial
default for an input, first press the 

⁄

/

¤

buttons

D until the on-screen cursor is next to the
desired mode’s master category name. Next, press
the Set Button

F to view the sub-menu. Press

the 

‹

/

›

E to scroll through the

available choices, and then press the 

¤

D so that the cursor is next to 

to continue the setup process.

On the 

DOLBY SURROUND

menu (Figure 4),

the selection choices include Dolby Digital, Dolby
Pro Logic II or llx Music, Dolby Pro Logic II or llx
Cinema, Dolby Pro Logic II and Dolby 3 Stereo.
The Dolby Digital EX and Dolby Pro Logic IIx
modes are only available when the system is set
for 6.1/7.1 operation by configuring the Surround
Back speakers to “Small” or “Large” as described
on page 26. When a disc is playing that contains
a special “flag” signal in the digital audio data
stream, the EX mode will be selected automati-
cally. It may also be selected using this menu or
through the front panel or remote controls as
shown on page 37. A complete explanation of
these modes is found on Page 33-34. Note that
when the Dolby Digital mode is selected there are
additional settings available for the Night mode
that are associated with the surround mode only,
not with the input. That´s why these settings must
be made only once, not with each input in use.
They are described later in the next main chapter
(see below).

When the 

➞ cursor is pointing to the 

MODE

line, press the 

‹

/

›

E to select the desired Dolby surround
mode, again remembering that the choice of
available modes will vary with the type of pro-
gram material being played and the number of
speakers in your system configuratioin.

When Dolby Pro Logic II Music or Dolby Pro Logic
IIx Music is selected as the listening mode, three
special settings are available to tailor the sound
field to your listening room environment and your
individual taste and preferences. (When other
Dolby Surround modes are selected, dotted lines
will indicate that these settings are not active.)

• Center Width: This setting adjusts the balance

of the vocal information in the front soundstage
between the center and front left/right speak-
ers. The lower settings spread the center chan-
nel sound more broadly into the left and right
channels. A higher number (up to “7”) pro-
duces a tighter center channel presentatioin.

• Dimension: This setting alters the perceived

depth of the surround field by creating a shal-
lower presentation that appears to move
sounds toward the front of the room, or a deep-
er presentation that appears to move the center
of the sound field toward the back of the room.
The setting of “O” is a neutral default, with the
range of adjustment shown as “R-3” for a
deeper, rear-oriented sound to 
“F-3” for a shallower, front-oriented sound.

• Panorama: Switch this setting on or off to add

an enveloping wrap-around presentation that
increases the perception of sound along the
sides of the room.

To change these parameters, press the 

⁄

/

¤

D while the 

DOLBY

SURROUND

menu is on the screen until the 

➞

cursor is pointing to the line on the menu with
the parameter you wish to change. Then, press
the 

‹

/

›

E to alter

the setting to your taste.

Note that when the Dolby Digital mode is select-
ed there are additional settings available for the
Night mode that are associated with the surround
mode only, not with the input. That´s why these
settings must be made only once, not with each
input in use.

Night Mode Settings
The Night mode is a feature of Dolby Digital that
uses special processing to preserve the dynamic
range and full intelligibility of a movie sound track
while reducing the peak level. This prevents
abruptly loud transitions from disturbing others,
without reducing the sonic impact of a digital
source. Note that the Night mode is only available
when the Dolby Digital surround mode is selected.

To adjust the Night mode setting from the menu
press the OSD Button 

L so that the

MASTER

menu appears. Then press the 

¤

but-

ton 

D to access the 

AUDIO SETUP

and

press Set

F to select the 

SURROUND

SETUP

menu. Press Set

F to select the

DOLBY

menu (see fig. 6).

To adjust the Night mode setting, make certain
that the 

➞

cursor is on the 

NIGHT

line of the

DOLBY

menu. Next, press 

‹

/

›

E to choose between the following set-
tings.

OFF

: When OFF is highlighted, the Night mode

will not function.

MID

: When MID is in the highlighted video,

a mild compression will be applied.

MAX

: When MAX is in the highlighted video,

a more severe compression algorithm will be
applied.

When you want to use the Night mode feature,
we recommend that you select the MID setting as
a starting point and change to the MAX setting
later, if desired.

Note that the Night mode may be adjusted direct-
ly any time that Dolby Digital surround mode is
selected by pressing the Night button 

B. When

the button is pressed, the words 

D-RANGE

fol-

lowed by the current setting (

MID

,

MAX

,

OFF

)

will appear in the lower third of the video screen
and in the Main Information Display Ò.
Press the 

⁄

/

¤

buttons 

D within five seconds

to select the desired setting, then press Set 

F

to confirm the setting.

The last option line in this menu is the setting to
turn the unit’s upsampling feature on or off. In
normal use, this feature is turned off, which
means that digital sources are processed at their
native sample rate. For example, a 48kHz digital
source will be processed at 48kHz. However, the
AVR allows you to upsample the incoming 48kHz
signals to 96kHz for added resolution.

To take advantage of this feature, press the

⁄

/

¤

Navigation Button n so that the 

➞

cursor is next to the UPSAMPLING line and
press the

‹

/

›

E so

that ON is highlighted in reverse video. Note that
this feature is only available for the Dolby Pro
Logic II-Music, Dolby Pro Logic II-Movie, Dolby
Pro Logic and Dolby 3 Stereo modes.

  * DOLBY SURROUND *

MODE:DOLBY DIGITAL

CENTER WIDTH:----
DIMENSION   :----
PANORAMA    :----
NIGHT       :OFF
UPSAMPLING  :---- 

BACK TO SURROUND SELECT

  * DOLBY SURROUND *

MODE:DOLBY PLIIx MUSIC

CENTER WIDTH:3
DIMENSION   :0
PANORAMA    :OFF
NIGHT       :----
UPSAMPLING  :OFF 

BACK TO SURROUND SELECT

SYSTEM CONFIGURATION  23

On the 

DTS

menu, the selection choices made

with the 

‹

/

›

E on the remote

are determined by a combination of the type of
DTS program material in use and whether the 5.1
or 6.1/7.1 speaker output configuration is in use.

When a DTS source is playing, the choice of
modes for 7.1 systems will vary according to the
type of program source (DTS Stereo, DTS 5.1,
DTS-ES Matrix or DTS-ES Discrete). Press the 

‹

/

›

E to scroll through the choices

that are available for your system and the pro-
gram in use.
With no source playing, or while an analog audio
source is playing, you will only be able to view
the DTS Neo:6 surround mode choices. These
include DTS Neo:6 3-channel Cinema mode (rec-
ommended when front left, right and center
speakers are present but no surround speakers
are available), DTS Neo:6 5-channel Cinema
mode (recommended for movies or television),
DTS Neo:6 5-channel Music mode (optimized for
music-only materials), and DTS Neo:6 6-channel
Cinema and Music modes (available when the
Surround Back speaker channels are configured
as either 

LARGE

or 

SMALL

, as described on

page 26).

When the 5.1 configuration is in use the AVR will
automatically select the 5.1 version of DTS
processing when a DTS data stream is received.
When the 6.1/7.1 mode is selected, the DTS-ES
Discrete mode will automatically be activated
when a DTS source with the ES Discrete “flag” is
in use and the DTS-ES Matrix mode will be acti-
vated when an ES-Matrix encoded audio track is
received. In both cases the appropriate surround
mode will be indicated in the Main
Information Display Ò in the front panel dis-
play and on the screen. When a non-ES DTS disc
is in use, when the 6.1/7.1 mode is chosen the
unit automatically will select the DTS + NEO:6
mode to create a full eight-speaker surround
mode. When a DTS 96/24 signal is detected, the
AVR 340 defaults to the DTS surround mode, but
reproduces the higher-resolution materials that
are present due to the higher sampling rate auto-
matically. See page 33 and 34 for a complete
explanation of the DTS modes.

On the 

LOGIC 7

menu, the selection choices

made with the 

‹

/

›

E on the

remote are determined by whether the 5.1 or
6.1/7.1 speaker output configuration is in use. In
either case, the selection of a Logic 7 mode
enables Harman Kardon’s exclusive Logic 7 pro-
cessing to create fully enveloping, multichannel
surround from either two-channel Stereo or
Matrix-encoded programming such as VHS
cassettes, laserdiscs or television broadcasts
produced with Dolby surround.

In the 5.1 configuration you may select the Logic
7/5.1 Music, Cinema or Enhanced modes. They
work best with two-channel music, surround-
encoded programs or standard two-channel pro-
gramming of any type, respectively. When the
6.1/7.1 mode is selected, the Logic 7/7.1 Music
or Cinema modes are available, but the output
will be in a full eight-channel sound field. Note
that the Logic 7 modes are not available when
either Dolby Digital or DTS Digital soundtracks
are in use.

On the 

menu, the selection

choices made with the 

‹

/

›

E on

the remote select one of the DSP surround modes
that are designed for use with two-channel
stereo programs to create a variety of sound field
presentations. The choices available are Hall 1,
Hall 2, Theater, VMAx Near and VMAx Far. The
Hall and Theater modes are designed for multi-
channel installations, while the two VMAx modes
are optimized for use in delivering a full surround
field when only the front left and front right
speakers are installed. See pages 33-34 for a
complete explanation of the DSP surround
modes. Note that the Hall and Theater modes are
not available when a Dolby Digital or DTS sound-
track is played.

On the 

menu, the selection choices

made with the 

‹

/

›

E on the

remote may either turn the surround processing
off for a traditional two-channel stereo presenta-
tion, or select 

5 C H Stereo

or 

7 C H

Stereo

depending on whether the 5.1 or

6.1/7.1 output is in use. The latter modes feed
the stereophonic input signal to both front speak-
ers, to the rear speakers and to both surround
back speakers (if in use), while the monophonic
signal parts are spread over all speakers, also the
Center. See page 33-34 for a complete explana-
tion of the 5 CH Stereo and 7 CH Stereo modes.

After the selections are made in the Dolby, DTS,
Logic 7, DSP (Surround) or Stereo menus, press
the 

⁄

/

¤

buttons 

D so that the cursor moves

to the 

BACK TO SURR SELECT

line and

presss the Set Button 

F.

For superior reproduction of two-channel pro-
gram materials, the AVR offers two Stereo modes:
an analog Stereo-Direct mode that bypasses the
digital signal processing circuitry for a completely
analog signal path that preserves the purity of
the original signal, and a digital mode that is
capable of providing bass management for opti-
mal distribution of the low frequencies between
smaller speakers and a subwoofer.

Stereo-Direct (Bypass) Mode
When the analog Stereo-Direct mode is selected
by pressing the Stereo Mode Selector

until 

SURROUND OFF

appears in the Main

Information Display Ò and the Surround
Mode Indicator ( for Surround Off is lit, the
AVR will pass the analog source material directly
through to the front left and right speakers,
bypassing the digital processing circuitry.

In this mode, the front left and right speakers will
automatically be configured as 

LARGE

; it is not

possible to configure these speakers as 

SMALL

.

When the AVR is in the Stereo Bypass mode you
may still configure the subwoofer output so that
it is either turned off, with a full-range signal
going to the front left/right speakers, or you may
configure it so that the subwoofer feed is
activated.
The factory default setting is to have the sub-
woofer turned off for this mode, but you may
change that setting by following these steps:

1. Press the Speaker Button 6

.

2. Press the Set Button

F@ to activate the

configuration menu.

3. Press the 

⁄

/

¤

D on the remote or

the 

‹

/

›

Buttons 7 on the front panel to select

the desired option.

SUB NONE

turns off the

feed to the subwoofer, while 

SUB <L+R>

turns it on.

4. When the desired setting has been entered,
press the Set Button

F@ to return to nor-

mal operation.

Stereo-Digital Mode
When the Stereo-Direct (Bypass) mode is in use a
full range signal is always sent to the front
left/right speakers. By its nature, that option does
not pass the signal through the AVR’s digital sig-
nal processing, creating the requirement for full-
range speakers. If your front speakers are band-
width limited, “satellite”speakers, we recommend
that you do NOT use the Bypass mode, but rather
use the 

DSP SURROUND OFF

mode for

stereo listening.

To listen to programs in the two-channel stereo
mode while taking advantage of the bass man-
agement system, press the Stereo Mode
Selector

 until 

SURROUND OFF

appears in the Main Information Display Ò
and the DSP and 

SURR. OFF

Mode Indicators ( both light up. When only
the 

SURR. OFF

Indicators ( is lit you are in the Stereo-Direct
(Bypass) mode.

When this mode is in use, the front left/right
speakers and subwoofer may be configured to
meet the requirements of your specific speakers
using the steps shown in the Speaker Setup sec-
tion below.

24 SYSTEM CONFIGURATION

The AVR 340 is one of the first receivers in its
class to offer automated speaker setup and sys-
tem calibration. This process greatly simplifies the
installation of your new receiver by using a series
of test signals and the power of an advanced dig-
ital signal processing system to eliminate the
need for manual adjustment of speaker “size”,
crossover, delay and output level settings, while
adding the power of a multi-band parametric
equalizer to smooth out any peculiarities in fre-
quency response that may result from the charac-
teristics of the listening room. With EzSet/EQ your
new receiver even alerts you to errors in speaker
connections that prevent a speaker from function-
ing.

With EzSet/EQ you are able to calibrate your sys-
tem in a fraction of the time it would take to
enter the settings manually, and with results that
rival those achieved with expensive test equip-
ment and time-consuming procedures. The end
result is a system calibration profile that enables
your new receiver to deliver the best possible
sound, no matter what type of speakers you have
or what the dimensions of your listening room
are.

We recommend that you take advantage of the
precision of EzSet/EQ to calibrate your system,
but if desired you may also make any of the con-
figuration settings manually, or trim the settings
provided by EzSet/EQ by following the instruc-
tions on pages 26 through 32.

If you wish to configure your AVR manually, or if
for some reason your EzSet/EQ microphone is
unavailable, you may still do so by following the
instructions on pages 26 through 32.

Step 1: EzSet/EQ requires that your listening
room have as little background noise as possible
to avoid interfering with the measurement of
tones produced by your AVR during the setup
procedure. Turn off all loud fans, air conditioners
and other equipment, and try to avoid making
any noise during the process.

Step 2: The EzSet/EQ microphone should be
placed in either your usual listening position or, if
there is a large seating area, the center of the
room, at the listeners’ ear level. You may find it
convenient to use a camera tripod for stable
placement of the EzSet/EQ microphone at the
correct height. The microphone includes a thread-
ed insert on the bottom for tripod mounting.

Step 3: Plug the EzSet/EQ microphone into the
AVR 340’s Headphone Jack 4, making certain
that the mini-plug to 1/4" phone plug adaptor
supplied with the microphone is firmly connected.
The microphone cable is approximately 7 meter
long, which should accommodate most listening

room situations. If required, you may use an
optional extension cable, available at most elec-
tronics stores, for use in larger rooms. However,
we recommend that you avoid using extension
cords for the microphone cable, as they may
adversely affect the test results.

Step 4: Once the microphone is properly posi-
tioned and plugged in, proceed to the EzSet/EQ
menus by first pressing the OSD Button

L to

bring the Master Menu to the screen. Next, press
the 

⁄

/

¤

D to move

the on-screen cursor to the 

EZSET/EQ

menu

line. Press the Set Button

F to move to the

next screen (Figure 7).

Step 5: The first screen of the EzSet/EQ system
will now appear to remind you to plug in the
microphone. If you have not already done so, plug
the microphone into the Headphone Jack 4
as described in steps 2 and 3. When you are
ready to proceed, make certain that the cursor is
pointing to 

YES

and press the Set Button

F.

If you do not wish to continue with the EzSet/EQ
process, press the 

‹

/

›

E and then press the Set Button F to
return to the 

MASTER MENU

. Note that if you

attempt to move to the next menu without plug-
ging in the microphone, a reminder message will
flash at the bottom of the screen.

Step 6: After entering 

YES

to start the

EzSet/EQ system, you will next see a brief warn-
ing message, and the screen will then change to
the main EzSet/EQ menu. The WARNING screen is
a reminder that in order for the system to perform
accurate measurements, it is important that the
listening room be as quiet as possible. After 5
seconds, the screen will change again to display
the main EzSet/EQ menu (Figure 7).

IMPORTANT NOTE: Anyone with hearing that is
sensitive to loud noises should leave the room at
this point, or use ear protection sufficient to
reduce the noise level. Inexpensive foam-style ear
plugs, available at most drug stores, may be used
to reduce the sound level to a tolerable level. If
you are uncomfortable with, or cannot tolerate,
loud sounds and do not use some sort of ear pro-
tection, we strongly recommend that you leave
the room and ask someone else to run the
EzSet/EQ process, or that you do not use
EzSet/EQ and enter the configuration settings
manually, as described on pages 26 through 32.

Step 7: The 

WARNING

screen will automati-

cally be replaced by the main EzSet/EQ menu
(Figure 7). While this screen is visible, you may
start and stop the calibration process, or monitor
the progress of the measurements and view the
results. When the screen first appears, you will
see 

MEASUREMENT: STOP

on the first

line of the menu list. To start the EzSet/EQ test
process, you must first tell the system how many
speakers are in your system. To do that, choose
one of these two options:

• If your system includes a full complement of

seven main speakers (front left/center/front
right/surround right/surround back right/sur-
round back left/surround left) and a subwoofer,
press the 

‹

/

›

E

so that 

7.1

appears to the right of

MEASUREMENT

, and then press the Set

F to start EzSet/EQ.

• If your system includes a traditional surround

speaker complement of five main speakers
(front left/center/ front right/surround right/sur-
round left) and a subwoofer, press the 

‹

/

›

E so that 

5.1

appears to the right of 

MEASUREMENT

,

and then press the Set Button

F to start

EzSet/EQ. To stop the calibration process at any
time, press the 

⁄

/

¤

D to move the on-screen cursors to the

MEASUREMENT

line; press the 

‹

/

›

E so that 

STOP

appears and press the Set Button

F.

Step 8: Once EzSet/EQ has been started, you will
hear test signals circulate among all of the speak-
ers as the system sets the master level, checks to
see where there are speakers, sets the distance
measurement and calculates delay time settings,
sets the speaker “size”, and sets the speaker
crossover point. During the measurement and cal-
ibration process, you may observe the progress of
the testing by reading the messages that appear
in the second line of the menu listing. When the
EzSet/EQ screen first appears, it contains a series
of dashes, but as the test and measurement pro-
ceeds, you will see the following messages as the
individual measurements are taken:

            *   E z S e t / E Q     *

M E A S U R E M E N T       :   S T O P
  S E T T I N G   L E V E L  
S P E A K E R   C H E C K   :     -   -   -   -  
S P E A K E R   D E L A Y   :     -   -   -   -  
S P E A K E R   L E V E L   :     -   -   -   -  
S P E A K E R   S I Z E     :     -   -   -   -  
S P E A K E R   X - O V E R :     -   -   -   -  
S A V E   S E T T I N G S   :     -   -   -   -  
B A C K   T O   M A S T E R   M E N U

 

        *   E z S e t / E Q   *    

P l a c e   M i c r o p h o n e   a t

l i s t e n i n g   p o s i t i o n   a n d  

p l u g   i n t o   H e a d p h o n e   J a c k

D o   y o u   w a n t   t o   s t a r t

E z S e t / E Q ?

    Y E S               N O