Sony DVP-NC555ES Service Manual ▷ View online
1-20 E
82
Glossary
Chapter (page 10)
Sections of a picture or a music feature that
are smaller than titles. A title is composed of
several chapters. Depending on the disc, no
chapters may be recorded.
are smaller than titles. A title is composed of
several chapters. Depending on the disc, no
chapters may be recorded.
Dolby Digital (page 25, 75)
Digital audio compression technology
developed by Dolby Laboratories. This
technology conforms to multi-channel
surround sound. The rear channel is stereo
and there is a discrete subwoofer channel in
this format. Dolby Digital provides the same
discrete channels of high quality digital audio
found in “Dolby Digital” theater surround
sound systems. Good channel separation is
realized because all of the channel data are
recorded discretely and little deterioration is
realized because all channel data processing
is digital.
developed by Dolby Laboratories. This
technology conforms to multi-channel
surround sound. The rear channel is stereo
and there is a discrete subwoofer channel in
this format. Dolby Digital provides the same
discrete channels of high quality digital audio
found in “Dolby Digital” theater surround
sound systems. Good channel separation is
realized because all of the channel data are
recorded discretely and little deterioration is
realized because all channel data processing
is digital.
Dolby Surround (Pro Logic) (page 24)
Audio signal processing technology that
Dolby Laboratories developed for surround
sound. When the input signal contains a
surround component, the Pro Logic process
outputs the front, center and rear signals. The
rear channel is monaural.
Dolby Laboratories developed for surround
sound. When the input signal contains a
surround component, the Pro Logic process
outputs the front, center and rear signals. The
rear channel is monaural.
DTS (page 25, 75)
Digital audio compression technology that
Digital Theater Systems, Inc. developed. This
technology conforms to multi-channel
surround sound. The rear channel is stereo
and there is a discrete subwoofer channel in
this format. DTS provides the same discrete
channels of high quality digital audio.
Good channel separation is realized because
all of the channel data is recorded discretely
and little deterioration is realized because all
channel data processing is digital.
Digital Theater Systems, Inc. developed. This
technology conforms to multi-channel
surround sound. The rear channel is stereo
and there is a discrete subwoofer channel in
this format. DTS provides the same discrete
channels of high quality digital audio.
Good channel separation is realized because
all of the channel data is recorded discretely
and little deterioration is realized because all
channel data processing is digital.
DVD VIDEO (page 6)
A disc that contains up to 8 hours of moving
pictures even though its diameter is the same
as a CD.
The data capacity of a single-layer and single-
sided DVD is 4.7 GB (Giga Byte), which is 7
times that of a CD. The data capacity of a
pictures even though its diameter is the same
as a CD.
The data capacity of a single-layer and single-
sided DVD is 4.7 GB (Giga Byte), which is 7
times that of a CD. The data capacity of a
double-layer and single-sided DVD is 8.5
GB, a single-layer and double-sided DVD is
9.4 GB, and double-layer and double-sided
DVD is 17 GB.
The picture data uses the MPEG 2 format, one
of the worldwide standards of digital
compression technology. The picture data is
compressed to about 1/40 (average) of its
original size. The DVD also uses a variable
rate coding technology that changes the data
to be allocated according to the status of the
picture. Audio information is recorded in a
multi-channel format, such as Dolby Digital,
allowing you to enjoy a more real audio
presence.
Furthermore, various advanced functions
such as the multi-angle, multilingual, and
Parental Control functions are provided with
the DVD.
GB, a single-layer and double-sided DVD is
9.4 GB, and double-layer and double-sided
DVD is 17 GB.
The picture data uses the MPEG 2 format, one
of the worldwide standards of digital
compression technology. The picture data is
compressed to about 1/40 (average) of its
original size. The DVD also uses a variable
rate coding technology that changes the data
to be allocated according to the status of the
picture. Audio information is recorded in a
multi-channel format, such as Dolby Digital,
allowing you to enjoy a more real audio
presence.
Furthermore, various advanced functions
such as the multi-angle, multilingual, and
Parental Control functions are provided with
the DVD.
DVD-RW (page 6)
A DVD-RW is a recordable and rewritable
disc that is the same size as a DVD VIDEO.
The DVD-RW has two different modes: VR
mode and Video mode. DVD-RWs created in
Video mode have the same format as a DVD
VIDEO, while discs created in VR (Video
Recording) mode allow the contents to be
programmed or edited.
disc that is the same size as a DVD VIDEO.
The DVD-RW has two different modes: VR
mode and Video mode. DVD-RWs created in
Video mode have the same format as a DVD
VIDEO, while discs created in VR (Video
Recording) mode allow the contents to be
programmed or edited.
DVD+RW (page 6)
A DVD+RW (plus RW) is a recordable and
rewritable disc. DVD+RWs use a recording
format that is comparable to the DVD VIDEO
format.
rewritable disc. DVD+RWs use a recording
format that is comparable to the DVD VIDEO
format.
Film based software, Video based
software (page 59)
software (page 59)
DVDs can be classified as Film based or
Video based software. Film based DVDs
contain the same images (24 frames per
second) that are shown at movie theaters.
Video based DVDs, such as television
dramas or sit-coms, display images at 30
frames/60 fields (25 frames/50 fields) per
second.
Video based software. Film based DVDs
contain the same images (24 frames per
second) that are shown at movie theaters.
Video based DVDs, such as television
dramas or sit-coms, display images at 30
frames/60 fields (25 frames/50 fields) per
second.
83
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Index (CD)/Video Index (VIDEO CD) (page
10)
10)
A number that divides a track into sections to
easily locate the point you want on a CD or
VIDEO CD. Depending on the disc, no index
may be recorded.
easily locate the point you want on a CD or
VIDEO CD. Depending on the disc, no index
may be recorded.
Interlace format (page 72)
Interlace format shows every other line of an
image as a single “field” and is the standard
method for displaying images on television.
The even number field shows the even
numbered lines of an image, and the odd
numbered field shows the odd numbered lines
of an image.
image as a single “field” and is the standard
method for displaying images on television.
The even number field shows the even
numbered lines of an image, and the odd
numbered field shows the odd numbered lines
of an image.
Progressive conversion method (page 59)
• Video based software conversion
Video shows an image by alternately
displaying every other line of an image (field)
at 30 frames (60 fields) per second (Interlace
format).
Video shows an image by alternately
displaying every other line of an image (field)
at 30 frames (60 fields) per second (Interlace
format).
The Interlace format displays 30 frames (60
fields) per second by displaying every other
line of the image, causing scanning lines to
appear across the image. Furthermore, since
only half of the image is shown at once, the
amount of information contained in an image
is limited.
fields) per second by displaying every other
line of the image, causing scanning lines to
appear across the image. Furthermore, since
only half of the image is shown at once, the
amount of information contained in an image
is limited.
The Progressive format displays 60 entire
frames per seconds. The player accomplishes
this by converting each field into a frame by
using either a field-based conversion method
or a frame-based conversion method. The
appropriate method is automatically selected
by the player according to the movement of
the images on the screen. If the movement on
the screen is slow, the frame-based
conversion method borrows adjacent field
information to fill in the missing information.
If the movement on the screen is rapid, the
field-based conversion method creates the
missing information by predicting the
movement of the images on the screen from
frames per seconds. The player accomplishes
this by converting each field into a frame by
using either a field-based conversion method
or a frame-based conversion method. The
appropriate method is automatically selected
by the player according to the movement of
the images on the screen. If the movement on
the screen is slow, the frame-based
conversion method borrows adjacent field
information to fill in the missing information.
If the movement on the screen is rapid, the
field-based conversion method creates the
missing information by predicting the
movement of the images on the screen from
field to field. The end result is an image that
is higher in quality when compared to the
Interlace format.
is higher in quality when compared to the
Interlace format.
• Film based software conversion
Film shows an image by displaying an entire
image at 24 frames per second. When you
watch a film on television, the television
displays every other line of the frame as a
field, thus reducing information level and the
clarity of the film image.
Film shows an image by displaying an entire
image at 24 frames per second. When you
watch a film on television, the television
displays every other line of the frame as a
field, thus reducing information level and the
clarity of the film image.
This player solves this problem by increasing
the speed at which the frames are displayed,
consecutively showing 3 identical frames
followed by 2 identical frames in the time that
it normally takes to show 2 consecutive
frames. The end result is that the 24 frames
per second are increased to 60 frames per
second, which is the speed at which
Progressive video signals are shown.
the speed at which the frames are displayed,
consecutively showing 3 identical frames
followed by 2 identical frames in the time that
it normally takes to show 2 consecutive
frames. The end result is that the 24 frames
per second are increased to 60 frames per
second, which is the speed at which
Progressive video signals are shown.
This not only allows film to be shown in a
frame based format, it also increases the
clarity and sharpness which is unique to
Progressive format images.
frame based format, it also increases the
clarity and sharpness which is unique to
Progressive format images.
Interlace pictures
Converted progressive pictures
Interlace pictures
Converted progressive pictures
c continued
84
Progressive format (page 72)
Compared to the Interlace format that
alternately shows every other line of an image
(field) to create one frame, the Progressive
format shows the entire image at once as a
single frame. This means that while the
Interlace format can show 30 frames (60
fields) in one second, the Progressive format
can show 60 frames in one second. The
overall picture quality increases and still
images, text, and horizontal lines appear
sharper. This player is compatible with the
480 progressive format.
alternately shows every other line of an image
(field) to create one frame, the Progressive
format shows the entire image at once as a
single frame. This means that while the
Interlace format can show 30 frames (60
fields) in one second, the Progressive format
can show 60 frames in one second. The
overall picture quality increases and still
images, text, and horizontal lines appear
sharper. This player is compatible with the
480 progressive format.
Scene (page 10)
On a VIDEO CD with PBC (playback
control) functions, the menu screens, moving
pictures and still pictures are divided into
sections called “scenes.”
control) functions, the menu screens, moving
pictures and still pictures are divided into
sections called “scenes.”
Super Audio CD (page 6)
A Super Audio CD disc can reproduce sounds
that are extremely faithful to the original
sound by use of DSD (Direct Stream Digital)
technology. This technology utilizes a
sampling frequency of 2.8224 MHz, which is
64 times that of a conventional CD, and 1-bit
quantization that enables the disc to hold 4
times the amount of information that a
standard PCM format CD can hold. Super
Audio CDs are divided into the following
types.
• Super Audio CD (single layer disc)
that are extremely faithful to the original
sound by use of DSD (Direct Stream Digital)
technology. This technology utilizes a
sampling frequency of 2.8224 MHz, which is
64 times that of a conventional CD, and 1-bit
quantization that enables the disc to hold 4
times the amount of information that a
standard PCM format CD can hold. Super
Audio CDs are divided into the following
types.
• Super Audio CD (single layer disc)
This disc consists of a single HD layer*.
*High density signal layer for the Super Audio CD
• Super Audio CD (dual layer disc)
This disc consists of dual HD layers and is
capable of extended play over long periods.
Also, as the dual layer disc consists of dual
HD layers on one side only, you do not have
to turn the disc over during playback.
capable of extended play over long periods.
Also, as the dual layer disc consists of dual
HD layers on one side only, you do not have
to turn the disc over during playback.
• Super Audio CD + CD (Hybrid disc)
This disc consists of an HD layer and a CD
layer. Also, as the dual layers are on one
side only, you do not have to turn the disc
over during playback. You can play the CD
layer using a conventional CD player.
layer. Also, as the dual layers are on one
side only, you do not have to turn the disc
over during playback. You can play the CD
layer using a conventional CD player.
• 2 channel + Multi-channel Super Audio CD
This disc consists of the 2 channel playback
area and the multi-channel playback area.
area and the multi-channel playback area.
Title (page 10)
The longest section of a picture or music
feature on a DVD, movie, etc., in video
software, or the entire album in audio
software.
feature on a DVD, movie, etc., in video
software, or the entire album in audio
software.
Track (page 10)
Sections of a picture or a music feature on a
CD or VIDEO CD (the length of a song).
CD or VIDEO CD (the length of a song).
HD (high density)
layer
layer
HD layer
HD layer
CD layer
HD layer
2 channel playback
area
area
Multi-channel
playback area
playback area
86
Language Code List
For details, see pages 54, 57, 70.
The language spellings conform to the ISO 639: 1988 (E/F) standard.
The language spellings conform to the ISO 639: 1988 (E/F) standard.
Code Language
Code Language
Code Language
Code Language
1027 Afar
1028 Abkhazian
1032 Afrikaans
1039 Amharic
1044 Arabic
1045 Assamese
1051 Aymara
1052 Azerbaijani
1053 Bashkir
1057 Byelorussian
1059 Bulgarian
1060 Bihari
1061 Bislama
1066 Bengali;
1028 Abkhazian
1032 Afrikaans
1039 Amharic
1044 Arabic
1045 Assamese
1051 Aymara
1052 Azerbaijani
1053 Bashkir
1057 Byelorussian
1059 Bulgarian
1060 Bihari
1061 Bislama
1066 Bengali;
Bangla
1067 Tibetan
1070 Breton
1079 Catalan
1093 Corsican
1097 Czech
1103 Welsh
1105 Danish
1109 German
1130 Bhutani
1142 Greek
1144 English
1145 Esperanto
1149 Spanish
1150 Estonian
1151 Basque
1157 Persian
1165 Finnish
1166 Fiji
1171 Faroese
1174 French
1181 Frisian
1070 Breton
1079 Catalan
1093 Corsican
1097 Czech
1103 Welsh
1105 Danish
1109 German
1130 Bhutani
1142 Greek
1144 English
1145 Esperanto
1149 Spanish
1150 Estonian
1151 Basque
1157 Persian
1165 Finnish
1166 Fiji
1171 Faroese
1174 French
1181 Frisian
1183 Irish
1186 Scots Gaelic
1194 Galician
1196 Guarani
1203 Gujarati
1209 Hausa
1217 Hindi
1226 Croatian
1229 Hungarian
1233 Armenian
1235 Interlingua
1239 Interlingue
1245 Inupiak
1248 Indonesian
1253 Icelandic
1254 Italian
1257 Hebrew
1261 Japanese
1269 Yiddish
1283 Javanese
1287 Georgian
1297 Kazakh
1298 Greenlandic
1299 Cambodian
1300 Kannada
1301 Korean
1305 Kashmiri
1307 Kurdish
1311 Kirghiz
1313 Latin
1326 Lingala
1327 Laothian
1332 Lithuanian
1334 Latvian;
1186 Scots Gaelic
1194 Galician
1196 Guarani
1203 Gujarati
1209 Hausa
1217 Hindi
1226 Croatian
1229 Hungarian
1233 Armenian
1235 Interlingua
1239 Interlingue
1245 Inupiak
1248 Indonesian
1253 Icelandic
1254 Italian
1257 Hebrew
1261 Japanese
1269 Yiddish
1283 Javanese
1287 Georgian
1297 Kazakh
1298 Greenlandic
1299 Cambodian
1300 Kannada
1301 Korean
1305 Kashmiri
1307 Kurdish
1311 Kirghiz
1313 Latin
1326 Lingala
1327 Laothian
1332 Lithuanian
1334 Latvian;
Lettish
1345 Malagasy
1347 Maori
1349 Macedonian
1350 Malayalam
1352 Mongolian
1353 Moldavian
1356 Marathi
1357 Malay
1358 Maltese
1363 Burmese
1365 Nauru
1369 Nepali
1376 Dutch
1379 Norwegian
1393 Occitan
1403 (Afan)Oromo
1408 Oriya
1417 Punjabi
1428 Polish
1435 Pashto;
1349 Macedonian
1350 Malayalam
1352 Mongolian
1353 Moldavian
1356 Marathi
1357 Malay
1358 Maltese
1363 Burmese
1365 Nauru
1369 Nepali
1376 Dutch
1379 Norwegian
1393 Occitan
1403 (Afan)Oromo
1408 Oriya
1417 Punjabi
1428 Polish
1435 Pashto;
Pushto
1436 Portuguese
1463 Quechua
1481 Rhaeto-
1463 Quechua
1481 Rhaeto-
Romance
1482 Kirundi
1483 Romanian
1489 Russian
1491 Kinyarwanda
1495 Sanskrit
1498 Sindhi
1501 Sangho
1502 Serbo-
1483 Romanian
1489 Russian
1491 Kinyarwanda
1495 Sanskrit
1498 Sindhi
1501 Sangho
1502 Serbo-
Croatian
1503 Singhalese
1505 Slovak
1506 Slovenian
1505 Slovak
1506 Slovenian
1507 Samoan
1508 Shona
1509 Somali
1511 Albanian
1512 Serbian
1513 Siswati
1514 Sesotho
1515 Sundanese
1516 Swedish
1517 Swahili
1521 Tamil
1525 Telugu
1527 Tajik
1528 Thai
1529 Tigrinya
1531 Turkmen
1532 Tagalog
1534 Setswana
1535 Tonga
1538 Turkish
1539 Tsonga
1540 Tatar
1543 Twi
1557 Ukrainian
1564 Urdu
1572 Uzbek
1581 Vietnamese
1587 Volapük
1613 Wolof
1632 Xhosa
1665 Yoruba
1684 Chinese
1697 Zulu
1508 Shona
1509 Somali
1511 Albanian
1512 Serbian
1513 Siswati
1514 Sesotho
1515 Sundanese
1516 Swedish
1517 Swahili
1521 Tamil
1525 Telugu
1527 Tajik
1528 Thai
1529 Tigrinya
1531 Turkmen
1532 Tagalog
1534 Setswana
1535 Tonga
1538 Turkish
1539 Tsonga
1540 Tatar
1543 Twi
1557 Ukrainian
1564 Urdu
1572 Uzbek
1581 Vietnamese
1587 Volapük
1613 Wolof
1632 Xhosa
1665 Yoruba
1684 Chinese
1697 Zulu
1703 Not specified
2-1
SECTION 2
DISASSEMBLY
DVP-NC555ES
2-1. DISASSEMBLY
• This set can be disassembled in the order shown below.
Set
Upper case
(Page 2-2)
Sub frame block
(Page 2-2)
Front panel block
(Page 2-3)
VP-59 board
(Page 2-3)
Table assembly
(Page 2-5)
Optical pick-up
(Page 2-7)
Loading motor
assembly
(Page 2-6)
DV-36/MB-110
board
(Page 2-4)
2-2
Note:
Follow the disassembly procedure in the numerical order given.
2-2. UPPER CASE
2-3. SUB FRAME BLOCK
1
Two flathead screws
2
Three flathead screws
6
Upper case
3
Two flathead screws
4
5
4
q;
Six screws
(B3)
(B3)
9
Two screws
(B3)
(B3)
3
Screw
4
Harness
qa
Three screws
(BV3)
(BV3)
7
Connector
(CN102)
(CN102)
6
Connector
(CN101)
(CN101)
5
Connector
(CN103)
(CN103)
2
Connector
(CN201)
(CN201)
1
Connector
(CN101)
(CN101)
8
Connector
(CN104)
(CN104)
qd
Sub flame block
qs
Three screws
(BV3)
(BV3)
2-3
2-4. FRONT PANEL BLOCK
2-5. VP-59 BOARD
1
Flexible flat cable
(CN803)
(CN803)
3
Two claws
4
Front panel block
2
Four screws
(BV3)
(BV3)
4
VP-59 board
3
Screw (BV3)
2
Five screws
(B3)
(B3)
1
Flexible flat cable
(CN102)
(CN102)
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