DOWNLOAD Harman Kardon DPR 2005 (serv.man4) Service Manual ↓ Size: 1016.64 KB | Pages: 58 in PDF or view online for FREE

SYSTEM CONFIGURATION 25

Since the crossover point commonly used in the
creation of the LFE channel is 120Hz, we
recommend that you select the speaker group
whose crossover point is closest to 120Hz. To do
this, press the 

⁄

/

¤

E

until the cursor is next to the 

LFE

line, and then

press the 

‹

/

›

E until the

name of the speaker group with the desired
crossover frequency appears. Of course, you may
also experiment with different settings to find the
one that provides the smoothest and most
complete bass response in your particular
listening environment. When all crossover
settings have been made, or in those cases where
none are needed, press the 

¤

E so that the cursor is next to the

BASS MGR

line to make the final setting on

this menu.

This setting allows you to use the same speaker
configuration and crossover settings for all
inputs, or to have different settings for each
input. In most cases, the factory default setting of

GLOBAL

will be appropriate, as most systems

do not need individual speaker settings. However,
when full-range front speakers are used for both
movies and music, different bass management
settings may be used when listening to music
through a CD player as opposed to a movie from
a DVD player, VCR or cable/satellite set-top.

To customize the speaker-size configurations to
each input, make certain that the 

MODE

line of

the 

SPEAKER SETUP

menu is set to

SIZE

, and that the cursor is on the 

BASS

MGR

line. Press the 

‹

/

›

E so that 

INDEPENDENT

appears in

highlighted video. When this choice is entered by
exiting the menu, the settings just entered will
apply to the current input 

ONLY

, and you will

need to go back to the 

IN/OUT

menu to

select another input, and then return to this
menu page to change the settings for the next
input. Repeat the procedure for any input where
you wish to have a different set of speaker
configuration and crossover settings.

NOTE: The inidependent feature allows you to
select a different speaker size configuration
(Large, Small or None, as appropriate) for each
input source. However, the individual crossover
point setting may only be set once, and the
selection made during the initial setup will be
used for all inputs, regardless of any changes
made to the “Large” or “Small” settings for the
speaker groups attached to any input. The reason
is that while you may prefer different settings for
the bass redirection (that is, which signals go to
the subwoofer or the speaker group), the actual
crossover point remains the same since the actual
loudspeakers themselves remain the same
regardless of any other setting.

10. When all speaker selections have been made,
press the 

¤

E until the cursor is next

to the 

BACK T O MASTER MENU

line and

press the Set Button

F to return to the Main

menu.

11. The Speaker Configuration may also be
changed at any time without using the full-OSD
on-screen menu system by pressing the Speaker
Selector

6 on the front panel or 

' on the

remote control. Once the button is pressed,

FRONT SPEAKER

will appear in both the

lower third of the video display and the Main
Information Display

˜.

Within five seconds, either press the 

‹

/

›

buttons

7 $ on the front panel or the 

⁄

/

¤

buttons

E on the remote to select a different speaker
position, or press the Set Button 

@

F to

begin the adjustment process for the front left
and right speakers.

When the Set button 

@

F has been pressed

and the system is ready for a change to the front
speaker setting, the on-screen display and Main
Information Display

˜ will read 

FRONT

LARGE

or 

FRONT SMALL

depending on

the current setting. Press the 

‹

/

›

buttons 

7 $

on the front panel or the 

⁄

/

¤

buttons 

E on

the remote until the desired setting is shown,
using the instructions for “large” or “small”
shown earlier, then press the Set button 

@

F.

If another speaker position needs to be changed,
press the 

‹

/

›

buttons 

7 $ on the front panel

or the 

⁄

/

¤

buttons 

E on the remote to select

a different speaker position, press the Set button
@

F and then the 

‹

/

›

buttons 

7 $ on the

front panel or the 

⁄

/

¤

buttons 

E on the

remote until the correct speaker setting is shown
and press the Set button 

@

F again to con-

firm the selection.

To assist in making these settings, the icons in
the Speaker/Channel Input Indicators

Ú

will change as the speaker type is selected at
each position. When only the inner icon box is lit,
the speaker is set for “small.” When the inner box
and the two outer boxes with circles inside them
are lit, the speaker is set for “large." When no
indicator appears at a speaker location, that posi-
tion is set for “none” or “no” speaker.

Note: These icons are available only when
making setup changes without the use of the full
OSD mode.

As an example, in the Figure below, all speakers
are set for “large,” and a subwoofer is set.

Surround Setup
Once the speaker setup has been completed, the
next step for that input is to set the surround
mode you wish to use with that input. Since sur-
round modes are a matter of personal taste, feel
free to select any mode you wish – you may
change it later. The Surround Mode chart on page
31 may help you select the mode best suited to
the input source selected. For example you may
select Dolby Pro Logic II or Logic 7 for most ana-
log inputs and Dolby Digital for inputs connected
to digital sources. In the case of inputs such as a
CD Player, Tape Deck or Tuner, you may wish to
set the mode to Stereo, if that is your preferred
listening mode for standard stereo sources, where
it is unlikely that surround encoded material will
be used. Alternatively, the 5 Channel Stereo or
Logic 7 Music mode may also be a good choice
for stereo-only source material.

It is easiest to complete the surround setup using
the full-OSD on-screen menus. From the

MASTER

menu (Figure 1), press the 

⁄

/

¤

but-

tons 

E until the 

›

cursor is next to the

SURROUND SELECT

menu. Press the 

F so that the 

SURROUND

SELECT

menu (Figure 6) is on the screen.

Each of the option lines on this menu (Figure 6)
selects the surround mode category, and within
each of those categories there will be a choice of
the specific mode options. The choice of modes
will vary according to the speaker configuration
in your system.

When the 

SURR BACK

line of the

SPEAKER SETUP

menu (Figure 5) is set to

NONE

the DPR will be configured for 5.1-chan-

nel operation, and only the modes appropriate to
a five-speaker system will appear.

* *   S U R R O U N D   S E L E C T   * *

D O L B Y   S U R R

D T S

L O G I C   7

D S P   ( S U R R )

V M A x

S T E R E O

B A C K   T O   M A S T E R   M E N U

26 SYSTEM CONFIGURATION

When the 

SURR BACK

line of the

SPEAKER SETUP

menu (Figure 5) is set to

SMALL

or 

LARGE

the DPR will be configured

for 6.1/7.1-channel operation, and additional
modes such as Dolby Digital EX, Dolby Pro 
Logix IIx and 7 STEREO or Logic 7 7.1 will
appear, as they are only available when seven
main speakers are present. In addition, the
modes DTS ES (Discrete) and DTS+NEO:6 (DTS ES
Matrix) available in the DPR will not appear
unless a digital source is playing the correct bit-
stream.

Note: When a Dolby Digital or DTS source is
selected and playing, the DPR will select the
appropriate surround mode automatically, no
matter which surround mode was selected for
that input as default. Then no other surround
modes will be available, except VMAx with Dolby
Digital recordings and all Pro Logic II modes with
Dolby Digital 2 channel (2.0) recordings (see
page 36).

To select the mode that will be used as the initial
default for an input, first press the 

⁄

/

¤

E until the on-screen cursor is next to the

desired mode’s master category name. Next,
press the Set Button

F to view the sub-

menu. Press the 

‹

/

›

E to scroll

through the available choices, and then press the

¤

E so that the cursor is next to

to continue the

setup process.

On the 

Dolby

menu (Figure 7), the selection

choices include Dolby Digital, Dolby Pro Logic II
and Dolby Pro Logic IIx Movie and Music and
Dolby Virtual Speaker Reference and Wide.
A complete explanation of these modes is found
on Page 29. The Dolby Digital EX and Dolby Pro
Logic IIx mode are only available when the sys-
tem is set for 6.1/7.1 operation by configuring
the Surround Back speakers to “Small” or
“Large” as described on page 22.
When a disc is playing that contains a special
“flag” signal in the digital audio data stream, the
EX mode will be selected automatically. It may
also be selected using this menu or through the
front panel or remote controls. A complete expla-
nation of these modes is found on page 31.

Note that when the Dolby Digital mode is select-
ed there are additional settings available for the
Night mode that are associated with the sur-
round mode only, not with the input. That´s why
these settings must be made only once, not with
each input in use. They are described later in the
next main chapter (see below).

When the 

➞ cursor is pointing to the 

MODE

line, press the 

‹

/

›

E to

select the desired Dolby surround mode, again
remembering that the choice of available modes
will vary with the type of program material being
played and the number of speakers in your
system configuratioin.

When Dolby Pro Logic II Music or Dolby Pro Logic
IIx Music is selected as the listening mode, three
special settings are available to tailor the sound
field to your listening room environment and your
individual taste and preferences. (When other
Dolby Surround modes are selected, dotted lines
will indicate that these settings are not active.)

• Center Width: This setting adjusts the balance

of the vocal information in the front
soundstage between the center and front
left/right speakers. The lower settings spread
the center channel sound more broadly into the
left and right channels. A higher number (up to
“7”) produces a tighter center channel
presentatioin.

• Dimension: This setting alters the perceived

depth of the surround field by creating a
shallower presentation that appears to move
sounds toward the front of the room, or a
deeper presentation that appears to move the
center of the sound field toward the back of
the room. The setting of “O” is a neutral
default, with the range of adjustment shown as
“R-3” for a deeper, rear-oriented sound to “F-
3” for a shallower, front-oriented sound.

• Panorama: Switch this setting on or off to add

an enveloping wrap-around presentation that
increases the perception of sound along the
sides of the room.

To change these parameters, press the 

⁄

/

¤

E while the DOLBY

SURROUND menu is on the screen until the 

➞

cursor is pointing to the line on the menu with
the parameter you wish to change. Then, press
the 

‹

/

›

E to alter the

setting to your taste.

On the 

DTS

menu, the selection choices made

with the 

‹

/

›

E on the remote are

determined by a combination of the type of DTS
program material in use and whether the 5.1 or
6.1/7.1 speaker output configuration is in use.

When the 5.1 configuration is in use the DPR will
automatically select the 5.1 version of DTS
processing when a DTS data stream is received.
When the 6.1/7.1 mode is selected, the DTS-ES
Discrete mode will automatically be activated
when a DTS source with the ES Discrete “flag” is
in use and the DTS-ES Matrix mode will be acti-
vated when an ES-Matrix encoded audio track is
received. In both cases the appropriate surround
mode will be indicated in the Lower Display
Line

˜ in the front panel display and on the

screen. When a non-ES DTS disc is in use, when
the 6.1/7.1 mode is chosen the unit automatical-
ly will select the DTS + NEO:6 mode to create a
full eight-speaker surround mode. See page 31,
35 for a complete explanation of the DTS modes.

When an analog or two-channel PCM source is
playing, the DTS Neo:6 modes are available,
which creates a three-, five- or six-channel
presentation of the sound. The exact modes
available will depend on the number of speaker
positions established in the SPEAKER SETUP
menu. (See page 22 to configure the system for
the number and type of speakers in your system).

On the 

Logic 7 menu, the selection choices

made with the 

‹

/

›

E on the remote

are determined by whether the 5.1 or 6.1/7.1
speaker output configuration is in use. In either
case, the selection of a Logic 7 mode enables
Harman Kardon’s exclusive Logic 7 processing to
create fully enveloping, multichannel surround
from either two-channel Stereo or Matrix-encod-
ed programming such as VHS cassettes, laserdiscs
or television broadcasts produced with Dolby sur-
round.

In the 5.1 configuration you may select the Logic
7/5.1 Music, Cinema or Enhanced modes. They
work best with two-channel music, surround-
encoded programs or standard two-channel pro-
gramming of any type, respectively. When the
6.1/7.1 mode is selected, the Logic 7/7.1 Music or
Cinema modes are available, but the output will be
in a full eight-channel sound field. Note that the
Logic 7 modes are not available when either Dolby
Digital or DTS Digital soundtracks are in use.

On the 

) menu, the selection

choices made with the 

‹

/

›

E on the

remote select one of the DSP surround modes
that are designed for use with two-channel
stereo programs to create a variety of sound field
presentations. The choices available are Hall 1,
Hall 2, Theater, VMAx Near and VMAx Far. The
Hall and Theater modes are designed for multi-
channel installations, while the two VMAx modes
are optimized for use in delivering a full surround
field when only the front left and front right
speakers are installed. See pages 31 and 32 for a
complete explanation of the DSP surround
modes. Note that the Hall and Theater modes are
not available when a Dolby Digital or DTS sound-
track is played.

* *   D O L B Y   S U R R O U N D   * *

M O D E :        

D O L B Y   P L I I

                            M U S I C

C E N T E R   W I D T H :   3

D I M E N S I O N :

 

0

P A N O R A M A :  

O F F

  O N

N I G H T :   - - - - -

B A C K   T O   S U R R   S E L E C T

→

SYSTEM CONFIGURATION  27

On the 

menu, the selection choices

made with the 

‹

/

›

E on the remote

may either turn the surround processing off for a
traditional two-channel stereo presentation, or
select 

5 Stereo

or 

7 Stereo

depending

on whether the 5.1 or 6.1/7.1 output is in use.
The latter modes feed the stereophonic input sig-
nal to both front speakers, to the rear speakers
and to both surround back speakers (if in use),
while the monophonic signal parts are spread
over all speakers, also the Center. See page 32 for
a complete explanation of the 5 Stereo and 7
Stereo modes.

To listen to an analog stereo source without any
bass management, so that the left and right front
speakers receive a full-range signal, straight
through from the input gain section to the vol-
ume control, press the 

‹

/

›

E so that 

SURROUND OFF

appears in the

highlighted video. To listen to two-channel ana-
log sources while taking advantage of the DPR’s
bass-management system, press the 

‹

/

›

E so that 

SURROUND

OFF+DSP

appears in the highlighted video.

After the selections are made in the Dolby, DTS,
Logic 7, DSP (Surround) or Stereo menus, press
the 

⁄

/

¤

buttons 

E so that the cursor moves

to the 

BACK TO SURR SELECT

line and

presss the Set Button 

F.

Adjustments for Other Inputs
After one input has been adjusted for analog or
digital input, speaker type and surround mode,
return to the 

INPUT SETUP

line on the

MASTER

menu and enter the settings for each

input that you will use. In most cases, only the
digital input and surround mode may be different
from one input to the next, while the speaker
type will usually be the same (inputs set to

GLOBAL

). But if prefered you can also select

different speaker types or turn speakers on or off
individually for each input in use.

Delay Settings 
Due the different distances between the listening
position for the front channel speakers and the
surround speakers, the amount of time it takes
for sound to reach your ears from the front or
surround speakers is different. You may compen-
sate for this difference through the use of the
delay settings to adjust the timing for the specific
speaker placement and acoustic conditions in
your listening room or home theater.

To re-synchronize the front, center and surround
channels at first measure and note the distance
from the listening/viewing position to the front,
center, surround and surround back (if any)
speakers in meters.

In addition to adjusting the delay time for each
individual speaker position, the DPR is among the
few A/V receivers that allows you to adjust the
delay for the combined output of all speakers as

a group. This feature is called A/V Sync Delay; it
allows you to compensate for delays to the video
image that may be caused by the processing in
products such as digital video displays, video
scalers, digital cable or satellite systems, or per-
sonal video recorders. With proper adjustment of
the setting for A/V Sync Delay, you can eliminate
the loss of lip sync that may be caused by digital
video applications.

The Delay setting for all speakers configured for
your system will be available only (with 5.1 or
with 6.1/7.1 configuration) when any Dolby sur-
round mode is selected. In addition they are
selectable with these modes only, with all other
modes the delay times are fixed.
Note that the Delay settings are "Global" for all
inputs, using those Dolby modes, and need not to
be repeated with any input.

To start with the delay settings at first select any
input associated with such a Dolby mode. Next,
continue within the 

MASTER MENU

(Figure

1). If the system is not already at that point, press
the OSD button 

L to bring up the master

menu. Press the 

¤

E three times or

until the on-screen 

›

cursor is pointing at the

DELAY ADJUST

line. Press the Set Button

F to call up the menu.

Next move the 

›

cursor to the 

UNIT

line and

select the unit for distances you prefer to enter,
feet or meter. Then move the 

›

cursor to the 

F L

line where the first adjustment is made. Now
press the 

‹

/

›

E until the distance

from the front left speaker to the preferred listen-
ing position is entered. Next press the 

¤

E once to move to the next line.

Now the 

›

cursor will be at the 

CEN

line so that

the delay for the center speaker may be set. Press
the 

‹

/

›

E until the distance from the

main listening position to the center speaker is
entered. Repeat the procedure for all active
speaker positions by pressing the 

¤

E

again and use the 

‹

/

›

E to change

the setting. Remember that this last adjustment
will only be needed when you have surround
back speakers installed and Dolby Digital chosen
as the surround mode.

When the delay time for all speaker positions has
been set you may return to the master menu by
pressing the 

⁄

/

¤

E

until the 

➞ cursor is pointing to 

BACK T O

MASTER MENU

and then pressing the Set

F. However, if you have a digital video

source or a digital video display that causes lack
of lip sync you may use the A/V Sync adjust fea-
ture to delay the audio signal as it is sent to all
channels (as opposed to the individual settings)
so that the picture and sound are brought back
together. We recommend that this adjustment be
made using the direct access controls on the
remote, as shown below. That enables you to see
the image while making the adjustment; howev-
er, you may also adjust it here using the menu
system.

To adjust the A/V Sync delay, press the 

⁄

/

¤

E so that the ➞ cursor is

pointing to the A/V Sync Delay line on the menu
and then press the 

‹

/

›

E to delay the sound sufficiently so that it
matches the on-screen video.

Note that the A/V Sync delay setting is unique to
each video input source, so you may enter a dif-
ferent set-ting to compensate for the differences
between any product attached to the Video 1, 2,
3 or 4 inputs.

When the delay settings are complete, press the

¤

E once so that the cursor is next to

the 

BACK T O MASTER MENU

line and

press the Set Button 

p to return to the

MASTER

menu.

Note that the delay settings may also be adjusted
at any time when the Dolby Digital or Dolby Pro
Logic II modes are in use by pressing the Delay
button on the remote 

%. Then press the 

⁄

/

¤

E buttons on the remote to select the Center
or Rear channels for adjustment, followed by a
press of the Set button 

F. Next, press the

⁄

/

¤

buttons 

E on the remote until the

desired figure appears in the Main Information
Display

˜ and press the Set button p

twice to confirm the setting and return to the
normal display.

Night Mode Settings
The Night mode is a feature of Dolby Digital that
uses special processing to preserve the dynamic
range and full intelligibility of a movie sound
track while reducing the peak level. This prevents
abruptly loud transitions from disturbing others,
without reducing the sonic impact of a digital
source. Note that the Night mode is only avail-
able when the Dolby Digital surround mode is
selected.

To adjust the Night mode setting from the menu
press the OSD Button 

L so that the

MASTER

menu appears. Then press the 

¤

but-

ton 

E once and press Set F to select the

SURROUND SETUP

menu. Press Set

F

to select the 

DOLBY

menu (see fig. 7a).

  *   D E L A Y   A D J U S T   *

F L   : 1 2 f t       S B R : 1 0 f t

C E N : 1 2 f t       S B L : 1 0 f t

F R   : 1 2 f t       S L   : 1 0 f t

S R   : 1 0 F t       S U B : 1 0 f t

U N I T :

F E E T

  M E T E R

A / V   S Y N C   D E L A Y : 0 m S

B A C K   T O   M A S T E R   M E N U

28 SYSTEM CONFIGURATION

To adjust the Night mode setting, make certain
that the 

›

cursor is on the 

NIGHT

line of the

DOLBY

menu. Next, press 

‹

/

›

E

to choose between the following settings.

OFF

: When OFF is highlighted, the Night mode

will not function.

MID

: When MID is in the highlighted video,

a mild compression will be applied.

MAX

: When MAX is in the highlighted video,

a more severe compression algorithm will be
applied.

When you want to use the Night mode feature,
we recommend that you select the MID setting as
a starting point and change to the MAX setting
later, if desired.

When the setting has been made, press the 

⁄

/

¤

buttons 

E so that the 

›

cursor is next to

BACK T O SURR SELECT

, and press the

Set button 

F to return to the 

SURROUND

SELECT

menu.

Note that the Night mode may be adjusted direct-
ly any time that Dolby Digital surround mode is
selected by pressing the Night button 

B. When

the button is pressed, the words 

D-RANGE

followed by the current setting

(

MID

,

MAX

,

OFF

) will appear in the lower

third of the video screen and in the Main
Information Display

˜. Press the 

⁄

/

¤

but-

tons 

E within five seconds to select the desired

setting, then press Set 

F to confirm the set-

ting.

Output Level Adjustment
Output level adjustment is a key part of the con-
figuration of any surround-sound product. It is
particularly important for a digital receiver such
as the DPR, as correct outputs ensure that you
hear sound tracks with the proper directionality
and intensity.

NOTE: Listeners are often confused about the
operation of the surround channels. While some
assume that sound should always be coming
from each speaker, most of the time there will be
little or no sound in the surround channels. This
is because they are only used when a movie
director or sound mixer specifically places sound
there to create ambience, a special effect or to
continue action from the front of the room to the
rear. When the output levels are properly set, it
is normal for surround speakers to operate only

occasionally. Artificially increasing the volume to
the rear speakers may destroy the illusion of an
enveloping sound field that duplicates the way
you hear sound in a movie theater or concert hall.

Before beginning the output level adjustment
process, make certain that all speaker connections
have been properly made. The system volume
should be turned down at first.

Using EzSet
Harman Kardon’s exclusive EzSet remote makes it
possible to quickly and accurately set the DPR’s
output levels without the use of a sound pressure
meter, although manual adjustment is also avail-
able. However, for the easiest set-up, follow these
steps while seated in the listening position that
will be used most often:

1. Make certain that all speaker positions have

been properly configured for their “large” or
“small” settings (as outlined above) and turn
off the OSD system if it is in use.

2. Adjust the volume so that it is at - 1 5, as

shown in the on-screen display or Main
Information Display

˜.

3. Press and hold the SPL Select Button 

*

on the remote until the red LED under the Set
Button

F lights and the LCD screen in the

remote changes to the display shown below.

4. Press the Set Button

F within five seconds

to move to the next step.

5. Press the 

⁄

E until

the lower line of the remote’s LCD display
shows the number of speakers in your system.
(Don’t count the subwoofer or speakers that
are part of a multizone system.) For example, if
you have left, center, right, surround left and
right, and surround back left and right speakers
for a full 7.1 system, press the button twice so
that the bottom line reads 

7 CHANNELS

, as

shown below.

6. Hold the remote in front of you at arm’s length,

being sure not to cover the EzSet Micro-
phone Sensor 

- at the top of the remote,

and press the Set Button

F within five sec-

onds to begin the EzSet calibration process.

At this point, EzSet will take over, adjusting the
output level of each channel so that when the
process is complete all levels will be equal and at
the set reference point. This process may take a
few minutes, depending on the extent of adjust-
ment required.

7. During the adjustment, you will see the loca-

tion of the channel position being adjusted
appear in the on-screen display (if connected),

on the LCD display

2 in the remote control

and in the Main Information Display

˜,

alternating with a readout of the output set-
ting, relative to the reference volume level.
As the adjustment proceeds, a few things will
happen simultaneously:

• The channel position being adjusted will flash

in the Speaker/Channel Input Indicators
Ú. If the test noise is heard from a channel
other than the one shown in the Indicator, the
on-screen display or the front panel display,
there is an error in the speaker connections.
If this is the case, press the Test Button

8

TWICE to stop the adjustment. Then, turn the
unit off and verify that all speakers are connect-
ed to the proper Outputs

.

Afterwards start the adjusting process again
from the beginning.

• During the adjustment process for each chan-

nel, you will see indications of 

LOW

,

HIGH

and

a level readout in 

D B

. This is normal, and it

confirms that EzSet is doing its job of changing
the levels to match the desired reference.

• If a channel cannot be adjusted to the proper

reference level, you will see 

FAIL

displayed in

the remote’s bottom LCD line before the test
tone moves to the next channel. This is usually
an indication that the volume control was set
too low. When EzSet stops circulating the tone
through all channels and returns to normal,
adjust the volume level and repeat the proce-
dure from Step 3.

8. After the test noise has circulated once through

each channel, it will send the tone to each
channel once again, to verify the settings.

9. After two complete circulations of the tone, the

levels are set. Upon completion of the second
circulation, the LCD Information Display
2 will flash 

COMPLETE

three times and

then go out. The tone will stop and the DPR
will return to normal operation.

If you find that the output levels chosen by EzSet
are either much lower or much higher than the
"0dB" reference setting or even at the limits of
the +/-10dB variation range for the output levels,
depending on the sensitivity of the speakers in
use and your specific room layout, you may
repeat the procedure. Return to Step 2 and adjust
the master volume either higher or lower appro-
priately to the output levels set previously (e.g.
when levels were set to about "–7dB" reduce the
master volume for 7dB), to accommodate your
particular room layout and your speakers. You
may repeat this procedure as many times as nec-
essary to achieve a desired result. In order to pre-
vent possible damage to your hearing or your
equipment, we emphasize that you should avoid
setting the master volume above 0dB.

NOTE: The subwoofer output is not adjusted
when the test tone is in use. To adjust the sub-
woofer output you must use an external source,
following the instructions on page 38.

S E L E C T  

#   S P E A K E R S

7   C H A N N E L S

S E T   S P K R   L E V E L S

E Z S E T

* *   D O L B Y   S U R R O U N D   * *

M O D E :  

D O L B Y   D I G I T A L

C E N T E R   W I D T H :   - - -

D I M E N S I O N :   - - -

P A N O R A M A :   - - -

N I G H T :  

O F F

  M I D   M A X

B A C K   T O   S U R R   S E L E C T

→